SketchUp坯子库 » 办公建筑

于家堡工程指挥中心 / 附参数化脚本 / YJP Administrative Center / HHD_FUN

aye_aye_aye — Tue, 19 May 2015 06:59:15 +0000

在这个项目中参数化设计在工程进度及施工过程中的优势被毫无疑问的体现出来，即使是在被普遍认为施工处于低技状态的中国。

YJP Administrative Center is a temporary building in Tianjin Binhai CBD. Enclosed verandahs are arranged around the building to afford visual access to the CBD area from within the building. This allows the occupants to survey the surrounding construction site.

The size of openings within the facade relates directly to the lighting requirements for particular activities within different areas of the building. The porosity of the façade is designed to produce the required conditions for these activities. The integration of the density of the patterned façade with the various inner functions forms a key focus of the project.

The façade apertures serve as view frames. Aperture size and orientation is varied in a continuous manner introducing topological difference across the façade. The whole façade is constructed from six forms, reflected to give twelve types of identical components, making the building process highly efficient. This meant that the building to be constructed in less than seven months.

于家堡工程指挥中心作为天津滨海新区在未来五年内于家堡金融区的所有工程办公中心,需要在极短的时间内设计施工完毕以适应整个金融区的工程进度。在这个项目中参数化设计在工程进度及施工过程中的优势被毫无疑问的体现出来，即使是在被普遍认为施工处于低技状态的中国。

作为整个金融区的工程管理中心，二层以上所有房间的外侧均设有环通的走廊以便于对整个工地的观察。由于各房间功能的不同，按采光要求高低可分为办公、休息、大厅、库房、电梯厅等。通过一段脚本可以将立面的采光信息转化成为一个曲面，这个曲面上每一个点的高低对应着该点采光率的高低，因此立面构件应满足其所在位置的采光要求。外廊的外立面处理以此为基础形成不同的开孔率以适应内部功能的不同要求，同时还为外廊生成了不同的景窗，使观赏过程变得更加有趣。立面构件被设计成一系列的以旋转为逻辑改变采光率的几何构件，构件间既有连续的拓扑等价变化，又有连续的拓扑不等价变化，即由开放式的线性高采光率的景窗连续变化到封闭的四边形及六边形的低采光率景窗。设计充分体现了即使是极为简单的几何关联关系在对其特性进行充分研究以后只经过简单的罗列也可以产生丰富的几何变换关系。将这个曲面通过另外一段脚本的运算用于控制不同模块的安装排列。

为了能够控制工期，立面方案最后被限制在6种不同的模块内，六种连续变化的模块代表六种不同的采光率，经过脚本对控制曲面的计算，标有不同模块的排列位置的施工图纸自动生成。

不同功能决定不同的开窗方式，产生不同的内部感受。

Differnt patterns based on different function. Therefore generate different feelings.

Parametric Design（参数化脚本，gooood未按格式发布）

Option Explicit

‘Script written by

‘Script copyrighted by

‘Script version 2008/10/31 10:48:26

Call Main()

Sub Main()

Dim crvs

Dim i

Dim Stpt()

Dim Zvalue()

Dim Zvaluenew

Dim Crvsnew()

Dim j

Dim diPts

Dim ratio

Dim strBlockName

Dim block

Dim srf

Dim boundingbox

Dim min,max

Dim line

Dim ctPt

Dim intersectPt

Dim dvStep

crvs=rhino.GetObjects(“select curve”)

srf=rhino.GetObject(“pick control srf”)

boundingbox=rhino.BoundingBox(srf)

min=boundingbox(0)

max=boundingbox(3)

dvStep=1/12

‘————-sort sequence——————

For i=0 To Ubound(Crvs)

eDim Preserve Stpt(i)

Stpt(i)=rhino

.CurveStartPoint(Crvs(i))

eDim Preserve Zvalue(i)

alue(i)=Stpt(i)(2)

Zvaluenew=rhino.SortNumbers(Zvalue,False)

For i=0 To Ubound(Zvaluenew)

eDim Preserve Crvsnew(i)

or j=0 To Ubound(Crvs)

If Zvaluenew(i)= Zvalue(j) Then

Crvsnew(i)= Crvs(j)

End If

‘———-insert block————————

For i=0 To ubound(Crvsnew)

dipts=rhino

.DivideCurveLength(Crvsnew(i),1.4)

or j=0 To ubound(dipts)

line=rhino.AddLine(dipts(j),array(dipts(j)(0),max(1),dipts(j)(2)))

ctPt=rhino.CurveSurfaceIntersection(line,srf)

intersectPt=ctPt(0,1)

ratio=(intersectPt(1)-min(1))/(max(1)-min(1))

‘Call rhino.AddPoint(intersectPt)

Call rhino.DeleteObject(line)

If ratio < dvStep Then

strB

lockName = “X1”

ElseIf ratio > dvStep And ratio

strB

lockName = “X2”

ElseIf ratio > dvStep*2 And ratio

strB

lockName = “X3”

ElseIf ratio > dvStep*3 And ratio

strB

lockName = “X4”

ElseIf ratio > dvStep*4 And ratio

strB

lockName = “X5”

ElseIf ratio > dvStep*5 And ratio

strB

lockName = “X6”

ElseIf ratio > dvStep*6 And ratio

strB

lockName = “X7”

ElseIf ratio > dvStep*7 And ratio

strB

lockName = “X8”

ElseIf ratio > dvStep*8 And ratio

strB

lockName = “X9”

ElseIf ratio > dvStep*9 And ratio

strB

lockName = “X10”

ElseIf ratio > dvStep*10 And ratio

strB

lockName = “X11”

ElseIf ratio > dvStep*11 And ratio

strB

lockName = “X12”

End If

block=RHino.InsertBlock(strBlockName,dipts(j))

‘Call rhino.AddTextDot(intersectPt(1),dipts(j))

More：HHD_FUN

本文由 aye_aye_aye 转载自：http://www.gooood.hk/_d271273387.htm

aye_aye_aye

坯子库小编一枚

Arquia Banca新办公室 / 西班牙赫罗纳 / New Arquia Banca office in Girona / javier de las heras solé arquitecte

aye_aye_aye — Tue, 19 May 2015 06:05:59 +0000

Arquia Banca新办公室位于西班牙赫罗纳的国王广场，这里是一片有着狭窄街道的古老城区。建筑师主要的工作是改建老建筑，组织新空间。

Pattern

Arrange a floor plan that comes from adding irregular areas using an orthogonal pattern that will organise the new space in a clear and simple way.

办公室所在老建筑平面极不规则，一层是T形，二层是L形。建筑师打通局部二层与一层之间的天花板，让建筑空间赢得更多的照明与通风，以及更多的公共空间。

Light

Floor plan proportions with a minimalistic facade with one of the facades facing a narrow street produce an interior space with scarce light. This project places the workplaces in the areas with more natural light.

老建筑主要采用了石材，在新改造中，木材作为与石材极为搭配的一种天然材料而成为主材。木材以竖向格栅与整面板的造型出现在空间。竖向格栅覆盖在古老石材墙壁前方，但并没有触碰到墙壁，人们的视线可以通过格栅看见石墙，由此，建筑的历史被尊重和强调。同时，竖向格栅也引导人们视线看向办公室中的调高空间。

Floors
The two floor height gives us an opportunity to deeply treat the floor plan. After emptying and tearing down part of the first floor structure, a better lighting and ventilation is obtained, as well as more public interior spaces. Understand these interventions the same way as surgical cut, to cure.

Program
By means of the orthogonal pattern, prioritising the natural lighting for the most used spaces and emptying the first floor, we can differentiate the public space from the private space (floor internal use of the company) in a clear way using existing walls and the counter desk disposition that organises the hall and customer care spaces. We propose coexistence between public and private space.

Materials
Recover and show the stone walls and use only one material: wood. Wood is a material that because of its characteristics, organic, traditional, is a good match for the natural stone. Adding up this material is a way to relate it with the existing walls. Add elements, in an opposite way, without contact between them. Unlike stone walls, the wood strips sequence it is not a load bearing wall, but a covering and that is the way it is revealed. A horizontal wood strips disposition shows us the way in the waiting area, and the vertical disposition leads our look towards the double space that connects the two floors.

1st prize contest

Location
Address: Plaça del vi nº 4
City: Girona
Project: January 2014
Construction: july-2014 / February 2015
Total Construction Surface 185.8 m2

Author:
Javier de las Heras Solé, architect

Collaborators:
Architecture: Salvador Bou Gracia, architect
Structures: Blàzquez-Guanter arquitectes consultors d’estructures
Engineering: Josep Masachs, Proisotec enginyeria
Budget / Safety: Gerard Codina Mas, arquitecto técnico
Site Supervisor: Javier de las Heras Solé, architect
Project Supervisor: Gerard Codina Mas, architect técnico
Developer: Arquia Banca
Montse Nogués Teixidor / Maite Gimeno Pahissa / Berta Toyos Jiménez
Contractor: Joan Illa Casellas Construccions Viladasens
Carpentry: Fusteria Guixeres Joan Guixeras
Blacksmith: Ramón Cabratosa
Photography: Adrià Goula

MORE: javier de las heras solé arquitecte

本文由 aye_aye_aye 转载自：http://www.gooood.hk/arquia-banca-office-in-girona.htm

aye_aye_aye

坯子库小编一枚

Prada基金会米兰新总部 / 库哈斯新作 / Fondazione Prada complex in Milan / OMA

aye__e — Sun, 17 May 2015 13:16:38 +0000

Rem Koolhaas领衔的OMA受Prada基金会所托，在意大利米兰将一座始建于1910年的工业园区改建成为全新的Prada基金会新总部。这座古老的工业园原有7栋仓库与实验室建筑与中间的一个孤零零的院子。OMA大刀阔斧将其整合改建，并新增了3个建筑主体，包含博物馆临时展览区，电影院，以及一个10层高的画廊，最终总面积达到18900平方米，公共面积12300平方米，私人区域6600平方米。

Rem Koolhaas告诉gooood：“如今艺术领域的改扩建项目数量已有所减少，而废弃的工业用地也已经成为最有吸引力的改建场所，因为其卓越的空间姿态可以完美的承载艺术家的挑战与理念。Prada基金会把新址选在了废弃的工业园区，我们增加了大展馆，塔，电影院这三个新体量以确保Prada基金会新总部拥有与建筑完美结合的艺术空间。”

Photograph by Bas Princen, Courtesy of Fondazione Prada

It is surprising that the enormous expansion of the art system has taken place in a reduced number of typologies for art’s display. To apparently everybody’s satisfaction, the abandoned industrial space has become art’s default preference — attractive because its predictable conditions do not challenge the artist’s intentions — enlivened occasionally with exceptional architectural gestures.

The new Fondazione Prada is projected in a former industrial complex too, but one with an unusual diversity of spatial environments. To this repertoire, we are adding three new buildings — a large exhibition pavilion, a tower, and a cinema — so that the new Fondazione Prada represents a genuine collection of architectural spaces in addition to its holdings in art.

The Fondazione is not a preservation project and not a new architecture. Two conditions that are usually kept separate here confront each other in a state of permanent interaction – offering an ensemble of fragments that will not congeal into a single image, or allow any part to dominate the others.

New, old, horizontal, vertical, wide, narrow, white, black, open, enclosed — all these contrasts establish the range of oppositions that define the new Fondazione. By introducing so many spatial variables, the complexity of the architecture will promote an unstable, open programming, where art and architecture will benefit from each other’s challenges.

–Rem Koolhaas

Photograph by Bas Princen, Courtesy of Fondazione Prada

“该基金会既不是一个保护项目，也不是一个全新的建筑”，Rem Koolhaas继续说道：“而是两者保持相互独立对立但又永久交互，他们不会凝结成为单一的形象体，他们是合奏体中的独立存在。在这里，新，老，水平，垂直，宽，窄，白，黑，开放，封闭—所有的差异和变量都对立并存于这个不稳定的复杂环境中，是建筑与艺术得益于这样的挑战与激发。”

Photograph by Bas Princen, Courtesy of Fondazione Prada

Status: Construction
Client: Fondazione Prada
Location: Milan, Italy

Site: Former distillery at Largo Isarco No2, Milan, an industrial complex dating from 1910, comprising seven existing structures, including warehouse, laboratories, and brewing silos surrounded by a large courtyard and three new structures including a museum for temporary exhibitions, a transformable cinema building and a 10-storey high gallery tower.

Program: Total public area,12300 m2; total private area, 6600 m2; and total built area, 18900 m2

OMA Team
Partner in Charge: Rem Koolhaas, Chris van Duijn
Project leader: Federico Pompignoli
Preliminary Design: Sam Aitkenhead, Doug Allard, Andrea Bertassi, Aleksandr Bierig, Eva Dietrich, Paul-Emmanuel Lambert, Jonah Gamblin, Takuya Hosokai, Stephen Hodgson, Jan Kroman, Jedidiah Lau, Francesco Marullo, Vincent McIlduff, Alexander Menke,
Aoibheann Ni Mhearain, Sophie van Noten, Jan Pawlik, Rocio Paz Chavez, Christopher Parlato, Ippolito Pestellini Laparelli, Dirk Peters, Andrea Sollazzo, Michaela Tonus, Jussi Vuori, Luca Vigliero, Mei-Lun Xue
Progetto Definitivo: Anna Dzierzon, Jonah Gamblin, Ross Harrison, Hans Hammink, Matthew Jull, Taiga Koponen, Vincent Konate, Andres Mendoza, Susanan Mondejar, Vincent McIlduff, Sasha Smolin, Michaela Tonus
Construction documentation: Katarina Barunica, Marco Cimenti, Cecilia Del Pozo Rios, Anita Ernodi, Felix Fassbinder, Peter Feldmann, Siliang Fu, Romina Grillo, Jonah Gamblin, Clive Hennessey, Taiga Koponen, Roy Lin, Debora Mateo, Vincent Mc Ilduff, Andres Mendoza, Arminas Sadzevicius, Magdalena Stanescu, Lingxiao Zhang
Construction Administration: Mateo Budel, Marco Cimenti, Andrea Giovenzana, Nicolas Lee, Victor Pricop, Pawel Panfiluk

本文由 aye__e 转载自：http://www.gooood.hk/fondazione-prada-by-oma.htm

aye__e